Introducción a la comprensión del mito -- Los orígenes de la tradición mitológica occidental -- Poética de las tradiciones narrativas -- La recepción del mito en la cultura audiovisual contemporánea -- Los argumentos universales -- Los argumentos universales (II): el viaje a un planeta desconocido.

RésuméKarl Popper, dans La logique de la découverte scientifique, a généralisé et formalisé, sans le savoir, les grands principes méthodologiques formulés par Claude Bernard dans son Introduction àľétude de la médecine expérimentale.Cette analogie est frappante lorsqu'on rapproche du faillibilisme poppérien ľ affirmation du physiologiste selon laquelle les progrès de la méthode expérimentale consistent en ce que la somme des vérités augmente à mesure que la somme des erreurs diminue.Ľ intérêt que ľ on porte à cette analogie dépasse la simple curiositéérudite (...) car certaines difficultés du poppérianisme sont déjà sensibles dans la méthodologie bernardienne.En effet, si ľ un et ľ autre insistent sur le caractère hypothético‐déductif de la démarche scientifique, ni ľ un ni ľ autre n'aborde le difficile problème des décisions épistémiques qu'elle requiert. C'est notamment au niveau des hypothèses falsifiantes destinées àéviter les coïncidences constituent un des écueils les plus graves que rencontre la méthode expérimen‐tale qu'est sensible cette difficulté.SummaryIn his Logic of Scientific Discovery Karl Popper, nor realizing the fact, has generalized and formalized the main methodological principles formulated by Claude Bernard in his Introduction àľ Etude de la Médecine Expérimentale.This analogy is especially noticeable when one brings together Popper's “faillibilism” and the physiologist's affirmation according to which “progress in the experimental method consists in the fact that the more the total error decreases, the more the total truth increases”.The interest in this analogy goes far beyond erudite curiosity since some of Popper's difficulties are already perceptible in Bernard's methodology.As a matter of fact, if both stress the hypothetical‐deductive nature of the scientific progress, none approaches the difficult problem of the epistemic decisions required. This difficulty is particularly perceptible at the level of the falsifying hypotheses intended to avoid the “coincidences being one of the most serious pitfalls of the experimental method” .ZusammenfassungOhne es zu wissen, hat Karl Popper in der Logik der Forschung die methodischen Prinzipien, die Claude Bernard in seiner Introduction àľ Etude de la Médecine Experimental formuliert, verallgemeinert und formalisiert.Die Analogie tritt besonders deutlich hervor, wenn man Poppers Faillibilismus mit der Behauptung des Physiologen konfrontiert, wonach der Fortschritt darin bestehen soll, dass die Summe der Wahrheiten in dem Masse zunimmt, wie die Summe der Irrtümer abnimmt.Das Interesse an dieser Analogie ist insofern nicht ein rein historisches, als gewisse Schwie‐rigkeiten, denen Popper begegnet, sich schon in Bernards Ansatz bemerkbar machen.Wenn auch beide besonderes Gewicht auf den hypothetisch‐deduktiven Charakter des wis‐senschaftlichen Vorgehens legen, so gehen sie beide nicht auf das schwierige Problem der erkenntnistheoretischen Entscheide ein, diedamit verbunden sind. Dieser Mangel macht sich vor allem bei Poppers falsifizierenden Hypothesen bemerkbar, die, wie schon Bernard formuliert, dazu dienen sollen, die Hauptschwierigkeit der experimentellen Methode, namlich das zufällige Zusammentreffen von Ereignissen, zu vermeiden. (shrink)

In the current world of education, politics and public opinion, musical experience is increasingly threatened. It is designated ever more as an expendable luxury. This kind of general trend has hardly left the thinking in the field of music and music education untouched. Inspiration comes from the technical rationality of our time. This rationality affects an oblivion of ontology. In this article we discuss this trend related to Martin Heidegger’s thinking concerning the human existence in the world, artworks and notions (...) like “being” (Sein) and “oblivion-of-being” (Seinsvergessenheit). We think that it is possible to see this “oblivion-of-being” in relation to the trend in cultural and educational politics as well as in music educational thinking to focus on the instrumental usefulness of learning music. (shrink)

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On the ethics of extending human life: healthy people have a right to carry on livingHumanity has long demonstrated a paradoxical ambivalence concerning the extension of a healthy human lifespan. Modest health extension has been universally sought, whereas extreme health extension has been regarded as a snare and delusion—a dream beyond all others at first blush, but actually something we are better off without. The prevailing pace of biotechnological progress is bringing ever closer the day when humanity will be able (...) to act on the latter view by rejecting a clear and present opportunity for much longer healthy lives. Indeed, some biogerontologists contend that that day has already arrived, to the extent that our hesitation in embarking on a vigorous “war on ageing” is already delaying the point at which a cure for ageing will be developed. Here I consider whether our present caution concerning the wisdom of truly curing ageing is likely to survive the increased scrutiny that it will receive in coming years as a result of these technical advances. I conclude that it will not, because of its irreconcilability with values that are more deeply held by the large majority of humanity than any values that argue against the quest for a cure. I further conclude that all the major current reasons given for not curing ageing are mere crutches to help us cope with the immutability of ageing that we have been brought up to accept. Our failure to set aside such irrationality is already shortening potential longevity—quite probably of those already alive today—to a staggering degree. Once we realise this, our determination to consign human ageing to history will be second …. (shrink)

The intention here is that of giving a formal underpinning to the idea of 'meaning-is-use' which, even if based on proofs, it is rather different from proof-theoretic semantics as in the Dummett-Prawitz tradition. Instead, it is based on the idea that the meaning of logical constants are given by the explanation of immediate consequences, which in formalistic terms means the effect of elimination rules on the result of introduction rules, i. e. the so-called reduction rules. For that we suggest an (...) extension to the Curry-Howard interpretation which draws on the idea of labelled deduction, and brings back Frege's device of variable-abstraction to operate on the labels (i. e., proof-terms) alongside formulas of predicate logic. (shrink)

This article investigates the gender diversity of the corporate board of European Union banks. Employing a large sample of 612 European banks from 20 European countries, it identifies organizational characteristics that could be predictive of women’s presence on bank boards. We identify three factors that play a particularly important role in defining bank board gender diversity. First, the proportion of women on the board is higher for lower-risk banks. We argue that there may be some statistical discrimination behind this relation, (...) although it could also be explained by a real risk-aversion hypothesis. Second, banks with larger boards have a higher proportion of women on their boards, which could be considered a signal of some kind of preference for homogeneity on small boards. Finally, banks that have a growth orientation are more prone to include women on their board, since they may be seen as providers of diverse external resources that are more valued by firms operating under critical circumstances. (shrink)